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July 2010: Essay in "Neue Zeitschrift für Musik"

Essay "Von Bäumen und Geräuschen" published in July/August edition of "Neue Zeitschrift für Musik"

September 2010: Gruenrekorder release of fire and frost pattern

Gruenrekorder's release of my twin pieces fire and frost pattern on CD and as download is postponed until September

7. Oct. 2010: Interview on BR alpha

At 19:00 German TV channel BR alpha hosts a documentary series about human intuition including an interview with me

13. Nov. 2010: Andreas Bick at "The Artist's Corner"

German public radio HR2 broadcasts a portrait of me in "The Artist's Corner" at 23:05

December 2010: Nächtelang über dem Fluss

Musik for the radio play "Nächtelang über dem Fluss" by Sylvia Kabus on Deutschlandradio Kultur


Field Recording

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Dispersion of Sound Waves in Ice Sheets

I made this sound recording of a frozen lake in the winter of 2005/06 in the area around Berlin. Frozen lakes are known to give off most noise during major fluctuations in temperature: the ice expands or contracts, and the resulting tension in the ice causes cracks to appear. Due to the changes in temperature, the hours of morning and evening are usually the best times to hear these sounds. In my experience, thin ice is especially interesting for acoustic phenomena; it is more elastic and sounds are propagated better across the surface. Snowfall, on the other hand, has a muffling effect and the sound can only travel to a limited extent. The ice sheet acts as a huge membrane across which the cracking and popping sounds spread (more on the acoustics of ice here). Underwater microphones proved especially well-suited for these recordings: in a small hole drilled close beneath the surface of the water, the sounds emitted by the body of ice carry particularly well. The most striking thing about these recordings is the synthetic-sounding descending tones caused by the phenomenon of the dispersion of sound waves. The high frequencies of the popping and cracking noises are transmitted faster by the ice than the deeper frequencies, which reach the listener with a time lag as glissandi sinking to almost bottomless depths. I have used this recording in my piece frost pattern, which will be released at the German label Gruenrekorder in June 2010.




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